BOOKS
The End of Romance (novel), Text, Melbourne, 2026.
Trigger Warning (poetry collection), UQP, St Lucia, 2021.
The End of the World (poetry collection), Giramondo, Sydney, 2014.
The Double (short stories), Text Publishing, Melbourne, 2013.
Ghostly Subjects (poetry collection), Salt Publishing, London, 2009.
Narcissism (poetry chapbook), Whitmore Press, Geelong, 2005.
Catching Butterflies: Bringing Magical Realism to Ground (scholarship), Peter Lang, Bern, 2007.
SHORT STORIES
‘The Seven Days of Uncreation,’ Island, 179, 2026: 6-9.
‘Transition,’ A Kind of Compass: Stories on Distance, ed. Belinda McKeon, Tramp Press, Dublin, 2015: 229-40.
‘Three sisters,’ Australian Book Review 339 (2012): 45-9; republished in Stonecutter (US) 4 (2014); republished in Cracking the Spine: Ten Short Australian Stories and How they were Written, Spineless Wonders, Strawberry Hills (NSW), 2014: 29-39; republished in Electric Literature (US) 111, 2 July 2014.
‘Paradise lost,’ The Australian, 23 December 2013: 12.
‘The obscene bird of night,’ Westerly 58.1 (2013): 225-231.
‘The double,’ Review of Australian Fiction 6.2 (2013): 1-12.
‘Hide,’ Mascara Literary Review 9 (2011).
‘A Roānkin philosophy of poetry,’ Australian Book Review 327 (2010): 46-8; translated into Spanish & republished as ‘La filosofía poetica de Roānkin’ (translated by Jorge Salavert), Hermano Cerdo, March 2011.
‘Death in the Andes,’ Southerly 70.1 (2010): 122-131.
‘To the grave,’ Hecate 36.1-2 (2010): 223-227.
‘The red wheelbarrow,’ Griffith Review 26 (2009): 217-227.
ESSAYS
‘Death and the AI Maiden,’ Griffith Review Online, 28 October 2026.
‘Tumbleweed: How the West was Won,’ Australian Book Review, no. 487, 2026.
‘The Sounds of Silence: Satu Vänskä’s 20 years with the ACO,’ The Australian Chamber Orchestra’s Silence and Rapture Program, 2024.
‘Hide and Seek: Writing as Transgression,’ Resilience, Ultimo Press, Ultimo (NSW), 2022: 106-115.
‘I am a Child of Domestic Violence, and I am Breaking My Silence,’ The Guardian, 5 December 2021.
‘Moved by Words: How Poetry Helps us Express our Feelings,’ The Conversation, 10 June 2021.
‘Earth: Editorial,’ Cordite Poetry Review, 1 February 2020.
‘Writing and its Demons,’ Meanjin 78.3 (2019): 36-43.
‘“The Task of Writing a Poem is One of Coming to Some Understanding”: Maria Takolander Reflects on New Shoots,’ Red Room Poetry, 16 August 2017.
‘A Manifesto for Peace/Un manifiesto de la poesía por la paz’ (translated by Jorge Salavert), Festival Internacional de la Poesía de Medellín, 2017.
‘Explainer: Magical Realism,’ The Conversation, 3 December 2015.
‘Making a Mark,’ Australian Book Review 364 (2014): 66.
‘Lessons Learned from Literature,’ Meanjin 69.3 (2010): 108-116.
‘Words Like Padlocks,’ Readings monthly, September 2013: 9.
‘Better Homes and Gardens, and the Role of Impropriety,’ ‘666: The Mark of a Writer,’ ‘The Problem of Privacy,’ ‘On Not Being Born to Write,’ Southerly, 8 May 2013-2 June 2013.
‘Dentistry,’ HEAT 10 (2005): 39-49.
‘Swampland,’ Space: New Writing 1 (2004): 27-37.
PUBLIC ART
Bronze Stories: Geelong Unearthed. Commissioned researcher and writer for bronze plaques in footpaths in Geelong CBD and associated Geelong Arts and Culture Trails app, 2019.
‘Guilfoyle’s Volcano.’ Poem installed at Guilfoyle’s Volcano at the Royal Botanic Gardens Victoria, 2017.
Line from ‘Guilfoyle’s Volcano’ installed as exterior banner on Melbourne trams, 2017.
‘Hotel room.’ Poem installed as poster inside Melbourne trains, Moving Galleries Poetry Exhibition, 2011.
VIDEO-POEMS
‘The Inheritance,’ selected for official screening at the Cadence Video Poetry Festival, Seattle, 2025 (with videography by Sam Takolander).
‘The Boat,’ selected for official screening at the Bridge of Peace International Film Festival, Paris, 2025 (with videography by Sam Takolander). Winner of ‘Best Short for Peace’.
PHOTO-POEMS
‘Limited Series,’ Meanjin, October 2026 (with photographs by David McCooey).
‘Game, Set, Match,’ Island, October 2025 (with photographs by David McCooey).
‘Photosynthesis,’ Rabbit, 39 (2024): 102-8 (with photographs by David McCooey).
‘Memento Mori,’ Australian Poetry Anthology, vol. 11 (2024) (with photographs by David McCooey).
‘The Anthropocene: A Retrospective’ & ‘Myths of Creation/Destruction,’ Meanjin, Winter 2024 (with photographs by David McCooey).
‘Pyramid Scheme,’ Cordite Poetry Review, 13 May 2024 (with photographs by David McCooey).
‘Magic,’ Island, 14 March 2024 (with photographs by David McCooey).
POEMS IN MUSICAL ARRANGEMENTS
‘Syreeni,’ Red Dirt Hymns, six-part vocal arrangement composed by Andy Ford, performed by the Luminescence Chamber Singers, Glebe Town Hall, Sydney, 2023.
‘Night Pictures,’ Nature, a song cycle for mezzo-soprano and ensemble by Andy Ford, performed at Summer Hill Church, Summer Hill, NSW, 2019.
POEMS
‘Scandinavian Design,’ ERN, no. 1, September 2026.
‘Cigarette,’ The Footy Almanac, 1 March 2022.
‘Escalator,’ Wisconsin Review (US) 53.2 (2021): 94.
‘Domesticated,’ Homings and Departures: Selected Poems from Contemporary China and Australia, eds Lucy Dougan & Paul Hetherington, trans Iris Fan Xing, Recent Work Press, Canberra, 2021: 178-181,
‘Unborn,’ ‘Seed’ & ‘Post-partum’, What We Carry: Poetry on Childbearing, eds Ella Kurz, Simone King, Claire Delahunty, Recent Work Press, Canberra, 2021.
‘Goldilocks and Her Ghost,’ ‘Grieve, Repeat,’ ‘Night, Falling’ & ‘On Happiness,’ Inverted Syntax: The Fissured Tongue Series (US), 2 (2021).
‘On Happiness,’ Meanjin 79: 2 (2020): 37.
‘Night: A Personal History,’ Chicago Quarterly Review 30 (2020): 236-8.
‘Waking in the Blue,’ Cordite Poetry Review 89 (2019); republished in Australian Poetry Journal 11.1 (2021): 89-90; republished in The Footy Almanac, 30 November 2021.
‘Messages from Medellín, the Murder Capital,’ Griffith Review 65: Crime and Punishment (2019): 192-3; republished in Kenyon Review XLI: 6 (2019).
‘Subtopia,’ Australian Poetry Journal 9.1 (2019): 91.
‘Night, Falling’ & Lift,’ foam:e 16 (2019)
‘Lift,’ ‘Bed: A Domestic History’ & ‘Baby Monitor,’ Connotation Press: An Online Artifact (US) X.3 (2019).
‘Scenes from a Documentary,’ Red Room Poetry 2019.
‘Teaching My Son Finnish,’ Australian Multilingual Writing Project 1 (2018).
‘Closet Mirror,’ Stilts 3 (2018).
‘Powering Down,’ ‘Grieve, Repeat,’ ‘Goldilocks has Gone Missing’ & ‘Happiness’, SleazeMag, 11 November 2018.
‘Fractured States of America,’ Buying Online: Newcastle Poetry Prize Anthology 2018, eds Sarah Day & Nathan Curnow, Hunter Writers Centre & the University of Newcastle, Newcastle, 2018: 39-43.
‘Dogged,’ Signs: The University of Canberra Vice-Chancellor’s International Poetry Prize 2018, eds Jen Webb & Donna Maree Hanson, Ipsi: International Poetry Studies Institute, Canberra, 2018: 33.
‘Lullaby,’ Rabbit 26 (2018): 66-68; republished in #MeToo: Stories from the Australian Movement, ed. Miriam Sved, Christie Nieman, Maggie Scott, Natalie Kon-Yu, Picador, Sydney, 2019: 283-4.
‘Phone’ & ‘Cuckoo Clock,’ Island 154 (2018): 98-99.
‘Revisiting Chernobyl,’ Cordite Poetry Review 86 (2018).
‘Ragdoll Cat,’ Meanjin 77.2 (2018): 14.
‘Fridge,’ ‘TV’ & ‘Curtains,’ The Weekend Australian Review, 10-11 March 2018, 28-29 April 2018, 26-28 May 2018.
‘Guilfoyle’s Volcano,’ ‘The Bean Seller’s Tale,’ ‘Ceiba insignis: While Silk Floss Tree,’ ‘Cereus peruvianis: Peruvian Apple or Cactus Apple,’ ‘Echinocactus grusonii: Golden Barrel Cactus,’ ‘Cleistocactus winteri: Golden Rat Tail,’ ‘Euphorbia caput-medusae: Medusa’s Head,’ ‘Echinopsis spachiana: Torch Cactus,’ ‘Agave franzosini: Grey Ghost’ & ‘Agave victoriae: Royal Agave,’ Australian Poetry Journal 7.2 (2017); Red Room Poetry: New Shoots, 4 September 2017.
‘Roca,’ (translated into Spanish by Jorge Salavert), Downunder Literatura, 31 July 2017.
‘Teléfono,’ ‘Habitacion de hotel’ & ‘Nevera,’ (translated into Spanish by Jorge Salavert), Revista Prometeo, 106-107 (2017): 178-180.
‘Cruel,’ Kenyon Review XXXIX.2 (2017): 86-7.
‘Shattered Head,’ Island 148 (2017): 45.
‘Prosthetic,’ ‘Convicts,’ ‘Stalin Confesses’ & ‘Foetal Movement,’ Contemporary Australian Poetry, eds Martin Langford, Judith Beveridge, Judy Johnson & David Musgrave, Puncher & Wattmann, Glebe, 2016: 553-55.
‘Протетски,’ ‘Осуденици,’ ‘Сталин признала,’ ‘Движење на фетусот,’ Антологија на современата австралиска поезија, eds Martin Langford, Judith Beveridge, Judy Johnson & David Musgrave, Puncher & Wattmann, Macedonia, 2016: 437-440.
‘Daddy,’ Island 146 (2016): 96-7.
‘Argument,’ Island 146 (2016): 97; republished in The Best Australian Poems 2016, Black Inc, Collingwood (VIC), 160-1.
‘Nox,’ Cordite, 1 August 2016; republished in The Best Australian Poems 2017, ed. Sarah Holland-Batt, Black Inc, Collingwood (VIC), 146-7.
‘Schornstein,’ ‘Strafgefangene’ & ‘Nächtliche Beköstigung,’ Lichtungen (Austria) 145/ XXXVIII (2016): 102.
‘Rock,’ Writing to the Wire, eds Dan Disney & Kit Kelen, UWA Press, Crawley (WA), 2016: 167.
‘Unborn,’ ‘Post-partum,’ ’47 Degrees,’ ‘Night Feed,’ ‘The Arrivals,’ ‘Utopia,’ ‘Diurnal,’ ‘Sleep’ & ‘The Interpretation of Dreams,’ Double Dialogues 18 (2016).
‘Deja-vu,’ Australian Book Review, January-February 2016: 14.
‘Knife,’ The Best Australian Poems 2015, ed. Geoff Page, Black Inc, Collingwood (VIC), 2015: 32-3.
‘Geography lessons,’ ‘Sleep,’ ‘Witch,’ ‘No Man’s Land,’ ‘Anaesthetic’ & ‘Unborn,’ The turnrow Anthology of Contemporary Australian Poetry, ed. John Kinsella, turnrow Books, Monroe (LA), 2014: 478-483.
‘Missing in action,’ ‘Mushrooms’ & ‘Huskies,’ Axon: Creative Explorations 4.1 (2014).
‘The Dream,’ Land Before Lines: A Photographic Portrait Series of Contemporary Victorian Poets, ed. Nicholas Walton-Healey, Hunter, Melbourne, 2014.
‘The Old World’, Hecate 39.1-2 (2013): 92.
‘Chimney’, Meanjin 72.2 (2013): 57; republished in The Best Australian Poems 2013, ed. Lisa Gorton, Black Inc, Collingwood (VIC), 2013: 25.
‘The Jimi Hendrix Experience’ & ‘Casino Royale,’ Mascara 14 (2013).
‘Epilepsy,’ Australian Poetry Journal 3.1 (2013): 58.
‘Inheritance,’ Australian Poetry Journal 3.1 (2013): 56-7.
‘Winter war,’ Overland 209 (2012): 88.
‘Eliza’s shipwreck,’ Westerly 57.2 (2012): 120-1.
‘Night feed,’ The Saturday Age, 9 June 2012: 37; republished in The Best Australian Poems 2012, ed. John Tranter, Black Inc, Collingwood (VIC), 2012: 25.
‘Convicts,’ Notes for the Translators: by 142 New Zealand and Australian Poets, ed. Kit Kelen, AMC, Macao, 2012: 394-5.
‘Cesare Lombroso, criminal anthropologist,’ Higher Arc 2: 1-3 (2012).
‘The Twilight Zone’, Cordite 39.0 (2012).
‘Degeneration’, Eureka Street 22.14 (2012).
‘White Australia’, Eureka Street 22.14 (2012).
‘Diurnal’, Eureka Street 22.14 (2012).
‘The Arrivals’, Australian Poetry Journal 2.1 (2012): 57.
‘Loneliness’, Michigan Quarterly Review (USA) LI.3 (2012): 387.
‘Golden Sigi: An Advertisement’, ABR 342 (2012): 39.
‘Crime Scene Investigation’, Griffith Review 35 (2012): 133.
‘Electronic Music Studios’, Fox Chase Review, Winter-Spring 2012.
‘Bestiary’, Southerly 71.3 (2011): 45.
‘Utopia’, Island 127 (2011): 12.
‘The Ashes’, The Best Australian Poems 2011, ed. John Tranter, Black Inc, Collingwood, 2011: 165.
‘Beauty’ & ‘Violence’, Mascara Literary Review 10 (2011).
‘Buenos Aires,’ ‘Financial Advice,’ ‘War Correspondent’ & ‘The Mirror,’ Eureka Street 21: 19 (2011).
‘Stalin Confesses’ & ‘The Interpretation of Dreams,’ Australian Poetry Journal 1.1 (2011): 56-9.
‘Instructions from God,’ Verity La, 2011.
‘Unborn,’ ‘Canasta for Lovers,’ ‘Anaesthetic,’ ’47 Degrees’ & ‘Tableaux,’ Thirty Australian Poets, ed. Felicity Plunkett, UQP, St Lucia (QLD), 2011: 244-6.
‘Sleep,’ The Saturday Age, 6 August 2011: 31.
’47 degrees,’ Westerly 56.1 (2011): 218.
‘Dogs in Space,’ Cordite 33.0 (2010); republished in The Australian, 28 November 2020; republished in The Anthology of Australian Prose Poetry, Melbourne University Press, 2020; republished in Fishing for Lighting: The Spark of Poetry, Sarah Holland-Batt, UQP, St Lucia (QLD), 2021: 195.
‘No Man’s Land,’ Australian Book Review 320 (2010): 48; republished in The Best Australian Poems 2010, ed. Robert Adamson, Black Inc, Collingwood, 2010: 201.
‘The End of the World,’ HEAT 22 (2010): 130-1.
‘Why Nuns are Holy’ & ‘Post-partum,’ Australian Literary Review, 5.1 (2010): 25.
‘Cusco,’ Eureka Street 19.20 (2009).
‘Domestic,’ Southerly 69.2 (2009): 107-110.
‘Unborn,’ Meanjin 68.3 (2009): 219-220.
‘Witch,’ Blue Dog 6.12 (2007): 25; republished in The Best Australian Poetry 2009, ed. Alan Wearne, UQP, St Lucia (QLD), 2009: 84-5; republished in The Best Australian Poems 2014, ed. Geoff Page, Black Inc, Collingwood (VIC), 2014: 81.
‘Anaesthetic,’ Island 118 (2009): 103-4; republished in The Best Australian Poems 2009, ed. Robert Adamson, Black Inc, Melbourne, 2009: 188-9.
‘Writer,’ Text: The Journal of the Australian Association of Writing Programs 12.2 (2008).
‘Drunk,’ The Saturday Age, 12 July 2008: 29; republished in The Best Australian Poems 2008, ed. Peter Rose, Black Inc, Melbourne, 2008: 127.
‘Convicts,’ Antipodes 22.1 (2008): 71.
‘Medea,’ Australian Literary Review 3.4 (2008): 25.
‘Gothic,’ The Saturday Age, 10 May 2008: 29.
‘Reality Check,’ Meanjin 66.4-67.1 (2008): 292-3.
‘Mary Shelley,’ Australian Book Review 296 (2007): 19.
‘Franz Kafka,’ ‘Jorge Luis Borges,’ Westerly 52 (2007): 58-60.
‘Ghost Story,’ Hecate 33.1 (2007): 243.
‘Finland: Fables,’ Saltlick Quarterly 1 (2007).
‘Child of Night,’ The Saturday Age, 29 September 2007: 29.
‘Tableaux’ & ‘Tides,’ In Our Own Words: A Generation Defining Itself, ed. Marlow Peerse Weaver, MW Enterprises, Cary (NC), 2007: 61 & 254
‘Seasonal,’ Australian Book Review 292 (2007): 36.
‘Claude Monet,’ ‘The Barwon River Races’ & ‘Circus,’ Eureka Street 17.2 (2007).
‘Tableaux,’ Westerly 51 (2006): 136.
‘Geography Lesson,’ The Saturday Age, 21 October 2006: 29.
‘Canasta for Lovers,’ Australian Book Review 285 (2006): 24.
‘Satellites’, Eureka Street 16.12 (2006).
‘Alien Signals: Poems after Stanley Kubrick,’ Southerly 66.1 (2006): 45-6; republished in The Best Australian Poems 2007, ed. Peter Rose, Black Inc, Melbourne, 2007: 96-7.
‘Misogyny,’ The Saturday Age, 27 May 2006: 29.
‘Narcissism,’ Island 103 (2005): 59-61.
‘Peace be with you (and also with you),’ ‘Tides’, Agenda (UK) 41.1-2 (2005): 133-4.
‘Whale Watching,’ Australian Book Review 272 (2005): 13; republished in The Best Australian Poems 2005, ed. Les Murray, Black Inc, Melbourne, 2005: 167-8.
‘Storm,’ Australian Book Review 269 (2005): 23; republished in The Best Australian Poetry 2006, ed. Judith Beveridge, UQP, St Lucia (QLD), 2006: 82-4.
‘Happy New Year Overture’ & ‘Ekphrasis,’ LiNQ 32.1 (2005): 72-3.
‘Nose Bleed,’ Antipodes (USA) 18.2 (2004): 128; republished in ‘Motherlode: Australian Women’s Poetry 1986-2008, eds J. Harrison & K Waterhouse, Puncher & Wattman, Glebe (NSW), 2009: 142.
‘Peace be with you (and also with you),’ Meanjin 63.4 (2004): 226.
‘Minimalism and the Abstract,’ Australian Book Review 263 (2004): 22.
SCHOLARLY BOOK CHAPTERS
‘Riddling the Nation: Allegory in Twenty-first Century Australian Fiction by Women’, The Cambridge History of the Australian Novel, Cambridge University Press, Cambridge, 2023, 646-661.
‘Sabotage and Repair: Intertextuality in Carrie Tiffany’s Exploded View,’ Reading Like an Australian Writer, ed. Belinda Castles, NSW Publishing, Sydney, 2021, 207-218
‘Magical Realism and Indigenous Survivance in Australia: The Fiction of Alexis Wright,’ The Palgrave Handbook of Magical Realism in the Twenty-First Century, eds Richard Perez & Victoria A Chevalier, Palgrave Macmillan, 2020: 173-196.
‘The Most Beautiful Lies: Magical Realism in Australasia,’ Magical Realism and Literature, eds Christopher Warnes & Kim Sasser, Cambridge University Press, Cambridge, 2020.
‘Confessional Poetry and the Materialisation of an Autobiographical Self,’ The Limits of Life Writing, Routledge, Oxon, 2018: 371-383.
‘The Walking Wounded,’ in Amy Witting Isobel on the Way to the Corner Shop, Text, Melbourne, 2015: vii-xii.
‘Doubling Up: Finding Inspiration in Life and Literature,’ Cracking the Spine: Ten Short Australian Stories and How they were Written, Spineless Wonders, Strawberry Hills (NSW), 2014: 40-47.
‘Slow Man Overboard: JM Coetzee on Australian Hospitality,’ Telling Stories: Australian Life and Literature 1935-2012, eds Paul Genoni & Tanya Dalziell, Monash University Press, Clayton, 2013: 539-545.
‘Monstrous Women: Gothic Misogyny in Monster House,’ Contemporary Children's Literature and Film: Engaging with Theory, eds Clare Bradford & Kerry Mallan, Palgrave Macmillan, Houndmills, 2011: 79-93.
'The Sensational Imagination: Ian McEwan’s Saturday,’ in Literature and Sensation, eds Anthony Uhlmann, Helen Groth, Paul Sheehan & Stephen McLaren, Cambridge Scholars Press, Newcastle upon Tyne, 2009: 50-60.
SCHOLARLY JOURNAL ARTICLES
‘The Uncanny Mask and the Fiction Writer,’ New Writing: The International Journal for the Practice and Theory of Creative Writing (UK), 2020.
‘The Writer and the Double,’ Westerly, Online Special Issue 11: Doppelgänger, 2019.
‘Magical Realism and the Transcultural Politics of Irony: Alexis Wright’s Plains of Promise,’ JASAL: Journal of the Association for the Study of Australian Literature 3.18 (2019).
‘What Games Writing Teaches Us About Creative Writing: A Case Study of The Fulbright Company’s Gone Home,’ TEXT Special Issue no. 49, ‘Writing and Gaming’ (2018).
‘Confessional Poetry and the Materialisation of an Autobiographical Self,’ Life Writing (UK) Special Issue, ‘The Limits of Life Writing’ 14.3 (2017): 371-383.
‘Grounding the “Auto-intoxicated” Romantic Poet: A Socio-material Theory of Poetic Praxis,’ TEXT Special Issue no. 41, ‘Romanticism and Contemporary Writing: Legacies and Resistances’ (2017).
& Jo Langdon, ‘Shifting the “Vantage Point” to Women: Reconceptualizing Magical Realism and Trauma,’ Critique: Studies in Contemporary Fiction (US) 58.1 (2017): 41-52.
‘Theorizing Trauma and Irony in Magical Realism: Junot Díaz’s The Brief Wondrous Life of Oscar Wao and Alexis Wrights’ The Swan Book,’ ARIEL (Canada) 47.3 (2016): 95-122.
‘“A dark/Inscrutable workmanship”: Shining a Scientific Light on Poiesis,’ Axon: Creative Explorations C1 (2015).
‘From the “Mad” Poet to the “Embodied’ Poet”: Reconceptualising Poetic Creativity through Cognitive Science Paradigms,’ TEXT 19.2 (2015).
‘After Romanticism, Psychoanalysis and Postmodernism: New Paradigms for Theorising Creativity,’ TEXT 18.2 (2014).
‘Dissanayke’s “Motherese” and Poetic Praxis: Theorising Emotion and Inarticulacy,’ Axon: Creative Explorations 4.1 (2014).
‘Magical Realism and Irony's “Edge”: Rereading Magical Realism and Kim Scott’s Benang,’ JASAL: Journal of the Association for the Study of Australian Literature 14.5 (2014).
& Alyson Miller, ‘Nasdijj's Fake Magical Realist Memoir? Re-envisioning Magical Realism’s Relationship with Fakery,’ Postcolonial Text (Canada) 9.3 (2014).
‘Magical Realism and Fakes: After Carpentier’s “Marvelous Real” and Mudrooroo’s “Maban Realism”,’ Antipodes(US) 24.2 (2010): 165-171.
‘“Energetic Space”: Literary Experience and Learning,’ College Literature (US) 36.3 (2009): 165-183.
‘Coetzee’s Haunting of Australian Literature,’ JASAL: Journal of the Association for the Study of Australian Literature, 2007: 37-51.
‘Narcissism: Reflections,’ Double Dialogues: in/stead 1 (2006): 1-7.
‘Faking it for Real,’ English Studies in Canada 31.2-3 (2005): 307-325.
‘The Unhallowed Art: Literature and Literary Fakes in Australia,’ TEXT 4 (2005): 102-114.
& David McCooey ‘“You can’t say no to The Beauty and the Beast”: Shrek and Ideology’, Papers 14.1 (2005): 5-14.
& David McCooey, ‘Fakes, Literary Identity and Public Culture’, JASAL: Journal of the Association for the Study of Australian Literature 3 (2004): 57-65.
‘Swampland: Signs and Visitations’, Life Writing (UK) 1.2 (2004): 177-99.
AS EDITOR
Cordite 94, Special issue ‘Earth,’ 2020.
The Limits of Life Writing (eds David McCooey & Maria Takolander), Routledge, Oxon, 2018.
& Ross Watkins, Alayna Cole & Rhett Davis (eds), TEXT Special issue, ‘Writing and Gaming’ 49 (2018).
& Wenche Ommundsen (eds), TEXT, Special issue ‘Australian Literature and Public Culture’ 4 (2005).